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For over twenty-five years, Peter Halley’s geometric paintings have been engaged in a play of relationships between what he calls “prisons” and “cells"”—icons that reflect the increasing geometricization of social space in the world in which we live. His work has been exhibited in galleries in Chicago, London, Madrid, Moscow, New York, Paris, Rome, Seoul, and Tokyo. Two of Halley’s metallic color field paintings are hung prominently in Thompson LES’s SHANG Restaurant.